I've been working on this painting for the last couple of days. I wanted to work with whites, yellow whites, pink whites and blue whites.
This painting is in a state of 'middleness' - a time of judging and editing. Should the flower that is falling off the left side of the canvas go away? how much darker can I make the background? should I use a cloudy white glaze on the table? which white will be the best for the bright white highlight needed on the vase?
The process of paintings, like all creative endeavors, is an inverted arc. At the start, the image is clear in my mind, my goals straightforward and exciting. In the middle the image has become confusing, my goals unclear and it is a struggle to finish.
Another point of view is helpful, a postive response is even better - so with a very wet painting in hand I walk out to Charles' studio and get both, plus some constructive critism.
I'll let the paint dry a bit, incorporate his suggestions and finish this painting, hopefully arriving at the end of the creative arc pleased with what I have done.
Meanwhile I've begun a new yellow house painting.
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